![]() 2 numbers: The first number is applied to the top and bottom, while the second is applied to the sides.1 number: That number is applied to the top bottom and sides.I would like to bring attention to the fact that “padding” has two numbers after it. The margin property is what causes the white outline around the link buttons. The colour of the text is established here instead of in an “a” tag since the link is applied to the div, not the text. So we have the background colour of the boxes. We are also going to give it a white background. We are going to specify a width but not a height, so that the box will expand with the content inside it. While there is no content between the opening and closing tags, and no height and width specifications, it will not appear on your page. These create boxes around your content which can be manipulated by the rules you apply to it. Web pages used to rely heavily on tables for their layout but these days they rely more upon *div* elements. Grown adults don’t do this to each other unless they have a motive, and Eames’ motive is 110% to get Arthur’s attention (and probably in his pants if he isn’t already there).To start with, I need to mention divs. It’s a thousand times more flirty than it is antagonistic. I just keep seeing this gif come up, and all I can think about is how Eames keeps his foot up until Arthur is fully on the ground and glaring at him. ![]() Furthermore, he makes sure to nudge it forwards in the first place because, for all that he’s trying to be a little shit, he doesn’t actually want Arthur to get hurt. Eames’ foot lingers after he nudges Arthur’s chair to make sure Arthur falls forward and is alright. ![]() Okay, I don’t know if anyone will ever see this or care, but I’ve been thinking a lot about this damn scene. That’s the lock-in, innit? When you look someone in the eyes, you’ve got to know your shit.” Sometimes you’re going to end up in bed, sometimes in a fight. “When someone stares at you, if you stare back long enough, something is going to happen. It’s not even Sunday and yet I am receiving this gospel! They’re such singular people, who don’t give a shit about how people view them, that when they chose to be together, it’s just about them, and no one else. for them it’s more about this idea of “i am choosing you,” or “i am loving you because i want to, not because you change me.” but neither arthur or eames really care about being good people. i feel like, contrastly, other ships rely on this idea of like “you make me a better person” or similar sentiments. and arthureames highlights the importance of individual choices, of individual trust and love. they fly in private helicopters and travel around the world on a whim, very easily.Īnd the characters are portrayed as these men who live outside of society’s purview, because they don’t prescribe to following its laws and expectations. they’re both men who have travelled the world, who don’t care about things most people do, like mortgages and pets and buying groceries. and eames cares about saito, he takes into account his feelings/pain and he understands fisher’s wants.īut in terms of the ship, i think it affects the fandom a lot because they’re not criminals in the sense of like “mob boss, stealing and shooting and all that” but there’s something unmistakably criminal about what they do. arthur has kindness for ariadne and for yusef, he takes care of eames. It’s not that they’re necessarily bad, or cruel people. ![]() they’re not men preoccupied with their own place in this world, or how the chips will fall at the end of the day. he enjoys making fun of people and his art is, literally lying. and eames does what he wants, however he wants. arthur follows cobb around the world when it’s pretty clear that he doesn’t have to, and it causes him pain. I feel like, with most ships and most fandoms, a core component of the characters is that they’re “good people” (to varying definitions) and that they engage in this pursuit of joy and goodness. and arthur is essentially the same, with nash and with shooting projections in dreamscapes. see if he starts shooting.”Įames is very casually nonchalant about the idea of cobb dying, because, quite frankly, he doesn’t care. “that price on my head, was that dead or alive?” “don’t remember. it’s in the way they hold themselves, from arthur’s careful enunciation and his proficiency with firearms, to eames’ casual, easy lying and command of his physical space. they’re both men who have carved out their space in the world and own it, men who have to be absurdly confident for their line of work. There’s this unabashed hedonism, this lack of care for the pursuit of goodness and love of humanity. ![]() One aspect of arthureames i really, really love, is that they’re both criminals. ![]()
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